Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Study of Hand oil painting


Study of Hand
mk128 Oil on canvas 38x46cm
Painting ID::  37720 		Edgar Degas
Study of Hand
mk128 Oil on canvas 38x46cm
   
   
     
Edgar Degas Racecourse oil painting


Racecourse
mk128 30x40cm About 1871-1874
Painting ID::  37721 		Edgar Degas
Racecourse
mk128 30x40cm About 1871-1874
   
   
     
Edgar Degas Girls comb the hair oil painting


Girls comb the hair
mk128 Oil on canvas 31x45cm About 1875-1876
Painting ID::  37722 		Edgar Degas
Girls comb the hair
mk128 Oil on canvas 31x45cm About 1875-1876
   
   
     
Edgar Degas Musician oil painting


Musician
mk128 Oil on canvas 69x49cm 1872
Painting ID::  37723 		Edgar Degas
Musician
mk128 Oil on canvas 69x49cm 1872
   
   
     
Edgar Degas Artist-s Father and Pagand oil painting


Artist-s Father and Pagand
mk128 Oil on canvas 81.3x64.8cm About 1869-1872
Painting ID::  37724 		Edgar Degas
Artist-s Father and Pagand
mk128 Oil on canvas 81.3x64.8cm About 1869-1872
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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